Vis à Vis Sofa
- Designer:
- Salvador Dali
- Brand:
- BD Barcelona
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The Dalilips was created by Salvador Dalí and Oscar Tusquets in 1972. And its sensual presence is constantly striking.
Based on Dalí’s painting, The Mae West Room (1936) and the Mae West Lips sofa (1937), the 300 editions of the Dalilips (initially named the ‘Salivasofá’) were made for the Mae West Hall at the Theatre Museum in Figueres. Due to a lack of technology, the sofa was not commercially viable, but on the centenary of Dalí’s birth in 2004, the Dalilips was released in polyethylene, a high-quality material fit for indoor and outdoor settings. It has been industrially produced ever since.
The Dalilips is real and surreal. Its shape, colour and lip lines emulate a giant mouth, and the moulded form is plush, comfortable and visually exciting.
The Dalilips was created by Salvador Dalí and Oscar Tusquets in 1972. And its sensual presence is constantly striking.
Based on Dalí’s painting, The Mae West Room (1936) and the Mae West Lips sofa (1937), the 300 editions of the Dalilips (initially named the ‘Salivasofá’) were made for the Mae West Hall at the Theatre Museum in Figueres. Due to a lack of technology, the sofa was not commercially viable, but on the centenary of Dalí’s birth in 2004, the Dalilips was released in polyethylene, a high-quality material fit for indoor and outdoor settings. It has been industrially produced ever since.
The Dalilips is real and surreal. Its shape, colour and lip lines emulate a giant mouth, and the moulded form is plush, comfortable and visually exciting.
Designer
An author, artist and provocateur, Salvador Dalí, the man, the master, the marvel, was one of the most notable figures of the Surrealist movement and celebrated artists of all time. His fiercely technical yet highly unusual paintings, sculptures and visionary explorations in film and life-size interactive art ushered in a new generation of imaginative expression...
Brand
BD Barcelona Design is the Spanish company with the highest international prestige in design. What, in its foundation in 1972 was an expression of almost insolent rebellion by a group of young, unsatisfied architects, soon became a productive philosophy with a mission to break moulds, even commercial ones.