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Eames® DAR Armchair

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  • Colours & Finishes

    HM Aqua Sky 4T.Tif.Rendition.4T 700

    Shell Finish - Aqua Sky

    HM Stone STN.Tif.Rendition.STN 700

    Shell Finish - Stone

    HM Alpine ZM.Tif.Rendition.ZM 700

    Shell Finish - Alpine

    HM Charcoal CHL.Tif.Rendition.CHL 700

    Shell Finish - Charcoal

    HM Black ZA.Tif.Rendition.ZA 700

    Shell Finish - Black

    HM Red Orange ZE.Tif.Rendition.ZE 700

    Shell Finish - Red Orange

    HM Peacock Blue PBL.Tif.Rendition.PBL 700

    Shell Finish - Peacock Blue

    HM White ZF.Tif.Rendition.ZF 700

    Shell Finish - White

    Trivalent Chrome 47.Tif.Rendition.47 1248

    Wire Finish - Trivalent Chrome

    HM Black BK.Tif.Rendition.BK 700

    Wire Finish - Black

    Hm White 91.Tif.Rendition.91 700 (1)

    Wire Finish - White

  • Product Details

The Molded Plastic Armchair was designed on the principle of adaptability, offering innumerable configurations to serve a wide variety of applications and environments. It’s what makes it a classic worthy of museum collections—and living rooms, laundromats, lobbies, and café's. In addition to boasting a soft matte texture and notable durability, the polypropylene shell is also 100 percent recyclable.

The Molded Plastic Armchair is available in five archival colours or upholstery and can be configured with a choice of wire, dowel leg, stacking, rocker, and 4-leg bases. An array of trim, finely tailored Hopsak fabrics designed by Alexander Girard, Herman Miller’s Textile Director from 1952 to 1973, round out the collection of shell customization options, fully restoring the integrity of the original 1953 shell chair offerings.

Designer

Charles & Ray Eames

“The details are not the details, the details make the product. ” – Charles and Ray Eames.

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Brand

Herman Miller

Herman Miller® is a pioneer in the furniture industry, an innovator whose human-centered, problem-solving approach to design introduced new ways of living and working for over 100 years. Environmentally-friendly design, lean manufacturing, ergonomics, the open office, even American modernism itself: Herman Miller and our designers—Gilbert Rohde, George Nelson, Charles and Ray Eames, Bill Stumpf, Yves Béhar, and many more—have had a hand in shaping it all. And as we continue to live out our commitment to authentic design as a method of change, we’re shaping the new kinds of spaces where people will live and work for years to come.

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