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  • Mobilia Cassina Mexique Low Table Resi 1 200617 014745
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Mexique Coffee Tables

Designer:
Charlotte Perriand
Brand:
Cassina
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  • Product Finishes

    Noce Canaletto

    Canaletto Walnut

    Rovere Naturale

    Natural Oak

    Rovere Tinto Nero

    Black Stained Oak

    Mogano Naturale

    Mahogany

    Matt Comfort

    Matt Comfort

    Matt Marron Glace

    Matt Marron Glace

    Matt Sage Green

    Matt Sage Green

    Matt Rosso Cina

    Matt China Red

    Matt Rosso Amaranto

    Matt Amaranth Red

    Matt Blu Notte

    Matt Night Blue

    Matt Nero

    Matt Black

    Matt Petrolio

    Matt Petroleum

    Glossy Sage Green

    Glossy Sage Green

    Glossy Rosso Cina

    Glossy China Red

    Glossy Rosso Amaranto

    Glossy Amaranth Red

    Glossy Blu Notte

    Glossy Night Blue

    Glossy Nero

    Glossy Black

    Glossy Petrolio

    Glossy Petroleum

    Glossy Comfort

    Glossy Comfort

    Glossy Marron Glace

    Glossy Marron Glace

  • Product Details

The respective Mexique table is included as one of the tables en forme libre created between 1938 and 1939, the final design was developed in 1952 for the students’ rooms of the Maison du Mexique at the Cité Universitaire Internationale in Paris. With a frame designed to be as compact as possible, the tables could be juxtaposed to create larger, symmetrical units. In 1952, the wooden legs were replaced by triangular-section bent metal. In 1956, the low-level version was created for the Galerie Steph Simon in Paris. The generous depth of the wooden table-top, available in solid wood, as well as with a gloss or matte finish, resonates with rare beauty. Meanwhile, form follows function in the edges form, reflecting the size of the human hand. In 2018, two new dining table variants of the Mexique are being launched, designed to accommodate between five and six guests. In addition, a number of new finishes enhance further the potential for these tables to work together and serve new purposes.

High and low table. Legs in matte black finish metal, feet in plastic material. Triangular shaped tops with rounded edges, in solid natural American walnut or natural oak. 

Wood is a natural material, subject to change caused by external factors such as sunlight, temperature, humidity, daily use. These changes are not to be considered as faults but peculiarities of the material, emphasizing its natural beauty.

The respective Mexique table is included as one of the tables en forme libre created between 1938 and 1939, the final design was developed in 1952 for the students’ rooms of the Maison du Mexique at the Cité Universitaire Internationale in Paris. With a frame designed to be as compact as possible, the tables could be juxtaposed to create larger, symmetrical units. In 1952, the wooden legs were replaced by triangular-section bent metal. In 1956, the low-level version was created for the Galerie Steph Simon in Paris. The generous depth of the wooden table-top, available in solid wood, as well as with a gloss or matte finish, resonates with rare beauty. Meanwhile, form follows function in the edges form, reflecting the size of the human hand. In 2018, two new dining table variants of the Mexique are being launched, designed to accommodate between five and six guests. In addition, a number of new finishes enhance further the potential for these tables to work together and serve new purposes.

High and low table. Legs in matte black finish metal, feet in plastic material. Triangular shaped tops with rounded edges, in solid natural American walnut or natural oak. 

Wood is a natural material, subject to change caused by external factors such as sunlight, temperature, humidity, daily use. These changes are not to be considered as faults but peculiarities of the material, emphasizing its natural beauty.

Designer

Charlotte Perriand

“The extension of the art of dwelling is the art of living.

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Brand

Cassina

Established in 1927 by Cesare and Umberto Cassina in Meda, Italy, Cassina launched industrial design in Italy in the 1950s, based on a totally innovative approach that marked the transition from artisan production to mass production. 

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