Showtime Vases
- Designer:
- Jaime Hayon
- Brand:
- BD Barcelona
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"We all want what can fall from above to be something good. For me, there’s nothing better than getting home to this smiling monkey to hang my jacket. It looks like he’s waiting for a banana to fall soon. This humorous side, also gives me happiness when leaving home for the day." - Jaime Hayon
In the twinkling of an eye, the Monkey side table has become one of the funniest and most iconic pieces in BD’s catalogue. It’s a useful sculpture manufactured from architectural concrete – a material that carries the necessary weight for the base of a coat stand. Hayon designed it with his characteristic arty touch.
The Monkey collection now has a new addition, providing a smiley service. The pole and banana shaped hooks, are made of wood with a stained grey or black finish to match the base. The hangers can also be acquired separately to hang directly on any wall.
"We all want what can fall from above to be something good. For me, there’s nothing better than getting home to this smiling monkey to hang my jacket. It looks like he’s waiting for a banana to fall soon. This humorous side, also gives me happiness when leaving home for the day." - Jaime Hayon
In the twinkling of an eye, the Monkey side table has become one of the funniest and most iconic pieces in BD’s catalogue. It’s a useful sculpture manufactured from architectural concrete – a material that carries the necessary weight for the base of a coat stand. Hayon designed it with his characteristic arty touch.
The Monkey collection now has a new addition, providing a smiley service. The pole and banana shaped hooks, are made of wood with a stained grey or black finish to match the base. The hangers can also be acquired separately to hang directly on any wall.
Designer
Born in Madrid in 1974, Jaime Hayon can boast one of the most glittering careers to be seen in the recent history of contemporary design.
Brand
BD Barcelona Design is the Spanish company with the highest international prestige in design. What, in its foundation in 1972 was an expression of almost insolent rebellion by a group of young, unsatisfied architects, soon became a productive philosophy with a mission to break moulds, even commercial ones.