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  • ODYSSEY 2
  • Medium BD Odyssey Interview 3 2Eae69d14c
  • ODYSSEY 1
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Odyssey Armchair

Designer:
Eugeni Quitllet
Brand:
BD Barcelona
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A strong presence with pristine comfort. Inspired by Stanley Kubbrick’s 2001: A Space Odyssey and Philippe Starck, Eugeni Quitllet’s Odyssey armchair recalls a retro-futurism that gazes towards the stars.

Drawing from his creative idiosyncrasies, Quitllet merges Kubbrick’s visual language with the soft luxury of smooth curves, a carved seat and a comfortable ergonomic shape. Available in multiple finishes, the Odyssey is adaptable, allowing a sitter to swivel and rock or lean back into two headrest options. It fits diverse needs and balances function and an astral form.

The Odyssey’s curves envelop the sitter, and its components almost float together, locking into an organic body that could fit in a home as much as a starship.
Dimensions and technical 

A strong presence with pristine comfort. Inspired by Stanley Kubbrick’s 2001: A Space Odyssey and Philippe Starck, Eugeni Quitllet’s Odyssey armchair recalls a retro-futurism that gazes towards the stars.

Drawing from his creative idiosyncrasies, Quitllet merges Kubbrick’s visual language with the soft luxury of smooth curves, a carved seat and a comfortable ergonomic shape. Available in multiple finishes, the Odyssey is adaptable, allowing a sitter to swivel and rock or lean back into two headrest options. It fits diverse needs and balances function and an astral form.

The Odyssey’s curves envelop the sitter, and its components almost float together, locking into an organic body that could fit in a home as much as a starship.
Dimensions and technical 

Designer

Eugeni Quitllet

Eugeni Quitllet is a Catalan designer. Born the 17th April 1972. He uses industrial design and creativity to shape new realities and an optimistic idea of the future.

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Eugeni Quitllet Nacho Alegre Arcit18

Brand

BD Barcelona

BD Barcelona Design is the Spanish company with the highest international prestige in design. What, in its foundation in 1972 was an expression of almost insolent rebellion by a group of young, unsatisfied architects, soon became a productive philosophy with a mission to break moulds, even commercial ones.

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